BACH'S ST MATTHEW'S PASSION
- 'ERBARME DICH, MEIN GOTT' -

Strumming Along with Strings and Things

Alright, imagine you're sitting in a cozy room with a glass of fine wine, and you're about to listen to 'Erbarme dich, mein Gott'. First off, you've got your strings setting the stage, like the world's most dramatic curtain rising in an opera house. Then, there's this soul-stirring solo violin that weaves through the music like a bee dances around flowers, except it's not after pollen, it's after your heartstrings. And don't forget the continuo, the Baroque's version of a bass guitar, keeping everyone in check and adding that deep, emotional oomph.

What's in a Name? Quite a Bit, Actually

So, why did I call this piece 'Erbarme dich, mein Gott'? Well, it's not because it sounded cool, though it does have a nice ring to it. It's actually a direct plea for mercy from God, coming from the story of Peter's denial in the Gospel of Matthew, which is pretty heavy stuff. The title sets the tone for the whole aria, like a signpost saying 'Tears ahead, proceed with tissues'. It's all about evoking that deep sense of repentance and sorrow, and trust me, it's more effective than onions for making you cry.

The Blueprint of 'Erbarme dich, mein Gott'

Choosing the form for 'Erbarme dich, mein Gott' was an adventure in itself. It's not a sonata or a rondo, but an aria from my St Matthew Passion, which is like a grand musical tapestry telling the story of Jesus' crucifixion. This particular aria is a duet between the solo violin and the alto voice, creating a conversation that's more intense than a debate about the best type of noodle. It's structured in a da capo form, which means you'll hear the beginning section again at the end, like the best part of a sandwich – the bread!

Section 1: The Tear-Jerker Begins

The first section kicks off with the strings and that solo violin, setting a somber mood that's sadder than a puppy in the rain. Our alto soloist enters with a melody that's so full of longing, it could make a statue sigh. The tempo is slow and deliberate, like a leisurely stroll through your memories of every mistake you've ever made. And the harmonies? They're so rich and complex, you could spread them on toast.

Section 2: The Emotional Rollercoaster

Now, hold onto your wig, because the middle section is where the drama intensifies. The violin gets all fancy with some virtuosic flourishes, showing off like it's trying to win 'Baroque Idol'. The alto's lines get more passionate, and you can feel the tension building like someone cranking a jack-in-the-box. It's a whirlwind of emotions, and if you're not careful, you might just get swept up and carried away to Feelingsville.

Section 3: The Recap with a Twist

Just when you think you've recovered, we circle back to the first section, because who doesn't love a good throwback? But it's not just a copy-paste job; there's a new depth of emotion, like finding a secret layer in your favorite cake. The violin and alto are now old friends, sharing their sorrow with a familiarity that's more touching than a reunion episode of your favorite show. And as the aria draws to a close, the music gently lets you down, like a feather floating back to earth after a storm.

Come for the Music, Stay for the Feels

Now, I invite you to experience 'Erbarme dich, mein Gott' for yourself. Hit the play button and let yourself be immersed in the music. As you listen, maybe keep in mind what we've talked about. I hope you find the journey through my 'Erbarme dich, mein Gott' as thrilling as I did when creating it!